rupert neve designs 517

Rupert Neve Designs Portico 517: 500 Series Mic Pre / DI / Comp by Rupert Neve Designs. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. A new digital reference from the master of analog. Rupert Neve Designs, LLC was founded by Mr. Rupert Neve on passion, experience and a desire to craft timeless musical tools for the 21st century. Shop our hi-fi playback equipment on our new USA Webstore. Live recordings with Molly Burch, plus an interview with producer Danny Reisch. REDUCTION is calibrated in dB covering the range +1 to 22 dBu, reading from right to left, “9/10: Both the 511 and 517 are great preamps, easily worthy of finding themselves in the best studios in the world!”, “”This thing sounds really good! Hi I am going to be starting my own 500 series rack and would like to know more about the different rupert neve design pre-amps. The 517’s mic pre – based on the TEC Award-winning Portico 5017 – provides up to 66dB of gain, polarity-reverse and phantom power switches, and the “Silk” circuit for a more vintage vibe. Output level meter covers the range from -10 to +22 dBu and above which is regarded as overload. Based around a new LDR (light dependent resister) design, the 517’s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. ”. This allows the compressor to disregard sustained low frequency content. Range of RELEASE time is 100 mS to 2.5 Seconds. An LED light indicates when the compressor is active. To compress the blended signal, th… To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. Used as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. (Run the Jewels, Travis Barker, Aesop Rock). The separate instrument amplifier includes 30dB of gain, a ground lift, variable phase and an instrument Thru connection. In addition to the standard polarity reverse, the 517’s vari-phase control may be used to adjust phase incrementally. Rupert Neve Designs, LLC was founded by Mr. Rupert Neve on passion, experience and a desire to craft timeless musical tools for the 21st century. Continuously variable from 100mS to 2.5 Seconds. Celebrating Rupert Neve Designs' 15th Anniversary. Measured Channel to Channel:Better than 90 dB @ 15kHz. Incorporating the 517′s powerful preamp, the 5012′s universally useful sweepable high pass filter, and the transformer-saturating power of a variable silk circuit derived from our flagship Portico II Channel, the 511 is a Rupert Neve-designed mic pre for the masses. GAIN range provided is from -6dB to +20 dB. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). For instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow-sounding results. I was originally going to get the 511 preamp but am now thinking more about the 517 because of the extra features. Continuously variable from 6 dB to +20 dB. 517 Mic Pre / DI / Comp We don't know when or if this item will be back in stock. The Rupert Neve Designs 517 is a ridiculously versatile 500 Series module, a one-and-done solution for tracking both mics and direct instruments simultaneously. Behind the scenes at Moog's newly updated recording facility. Rupert Neve Designs: Portico 517 500-series preamp/DI/compressor, Portico 543 500-series compressor Reviewed by Marc Alan Goodman, Daniel Sclett. Based on the Portico 5017 Mobile Pre, the 517 provides world-class transformer-coupled micpreamp, compressor and DI circuitry with Vari-phase, “Silk” and DI/mic blending capabilities – all in a single 500 series module. NK SOUND TOKYO Installs World's Largest 5088 Console. The mic pre's high input headroom will take an absolute beating with level from your highest output mics, providing an open, bold tone that your interface probably can't do by itself. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. This will work properly in link buss enabled 500 series racks, or by hardwiring two 543 modules link busses together in non-compatible racks. Based on the Portico 5017 Mobile Pre, the Rupert Neve Designs 517 provides world-class, transformer-coupled preamp, compressor, and DI circuitry, with Vari-phase, Silk and DI/mic blending capabilities in a 500 series model. By adjusting the phase in the 517, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal. Continuously variable from 36 dB to +22 dB. Rupert Neve Designs, LLC was founded by Mr. Rupert Neve on passion, experience and a desire to craft timeless musical tools for the 21st century. Used as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. Portico 517: 500 Series Mic Pre / DI / Comp Customers who viewed this item also viewed. Currently unavailable. Continuously variable from 1.1:1 to Limit (40:1). When signals exceed the “threshold” level, the gain is reduced in a controlled manner that depends on the Ratio that has been set. Rupert Neve is a name that's been around in the recording world for quite a while now, and it holds a lot of weight. Di, compressor and variphase it sounds like more of a bargain. Two Peak LED METERS are provided that show OUTPUT LEVEL and GAIN REDUCTION. Main Output, Unity Gain@ 18 Hz, +/- .1dB@ 150 kHz -3 dB. Main Output, compressor engagedBetter than 0.02%, Noise:Measured at Main Output, un-weighted, 22Hz-22kHz, Terminated 40 Ohms.With Gain at Unity, Compressor disengagedBetter than 103 dBu.With Gain at Unity, Compressor engaged:Better than 92 dBu. When engaged, the 543 uses a combination of peak and RMS (average) detection to determine level. For example, the level of music through channel A can be controlled by speech on channel B, i.e. A bassist or guitarist using both direct and mic’d signals can blend the two into a single output, using the variable phase to reach an optimal alignment. When disengaged, it follows just RMS. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. Balanced and Floating Transformer OutputMaximum output from 20 Hz to 40 kHz is +23 dBu. This control is useful any time two signals derived from the same source are combined. This technique is also extremely useful when combined with the internal blend control on instruments. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. Main Output, compressor bypassedBetter than 0.0006%. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. This technique could also be used to create a single, mixed output of a guitar and vocals. reducing the music level to make a “speech-over” announcement. It saved my ass a bunch of times on a recent European tour.” By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned. When the LINK switch is engaged on two connected 543 modules, the signal passing through the first module may be used to control the amplitude of a second module. When the LINK switch is engaged on two 543 modules and settings are approximately the same values, GAIN reduction on both channels will be the same to preserve stereo balance and position. As already noted, when compression has taken place, it may be necessary to increase the overall gain to restore the apparent program level. Rupert Neve Designs, LLC was founded by Mr. Rupert Neve on passion, experience and a desire to craft timeless musical tools for the 21st century. For signals below the “threshold” level that has been set, a compressor provides a linear path allowing signals to be amplified without the gain being adjusted in any way. Introduces a HPF at 250Hz to the VCA side chain signal.

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