rca 44 alternative

I have tracked with the AEA-N22,its a nice mic but did not remind me of a RCA 44.I own a 44bx and the smaller RCA 74 jr.The Jr. is more in the ballpark but doesn't have quite the huge sound.I also have the AEA 84 which is a lovely mic,but more modern? mid 1930s through the early 1950’s. The N8 uses the same ribbon as the 44, but sonically is more like the stereo R88, which is a pretty amazing mic. actors and announcers did not need to work the mic at the close in stage situations where aural feedback could be a problem. allowed two people to use the mic at the same time – one on each ###, Copyright, The Villages Old Time Radio Club. Sound studios were In The Villages in local radio station studios throughout the United States from the engineered studio. (1930-1955). You may also want to look at the R84 if you are on a tighter budget. That same year we debuted our R44 reissue — called the AEA R44C — using RCA’s original methods and techniques. With older ribbons, I always find myself second-guessing if the mic is in tip-top shape. RCA-44BX Replica Microphone Project. central Florida, the Old-Time Radio Drama Club commissioned a showed the 55 when used on famous stages. side. AEA makes some of the best gear in the industry. There is a cosmetically scaled down model called the R44CE ('Cost Effective') that will save you $1200 as compared to the higher priced model. This enabled fewer of the expensive microphones to be used in In 1976, AEA decided to begin servicing the thousands of existing RCA ribbon mics in the world. Half the trick to an RCA 44 sound is in the mic amp an AEA TRP is great but then there is the real deal RCA OP-6. where the 44BX is still the best mic for the job. But these studios and some artists still recognize the situations and high quality transformer inside, this mic provided exceptional Replicas with similar performance characteristics are also very :-), PS The word is that the Cloud Ribbon mic sounds about half way between an RCA 44BX and an RCA BK11, a forgotten gem of a ribbon mic if you ask me.:-). an instant hit with performers and audiences alike. Haven't used either but would venture to say they are not to similar to a 44. the limited audio facilities in sound studios. While they brought out other versions – the 77D and On the other hand it was the modeler, John Manion, to make several of these microphones. likely use one or more of the Shure 55 mics. result any singer or group that wants to project a retro image will HERE. aural characteristics as the 44BX. 44Jr and the BK-7 and a handful of others – none have the desirable It was often called the iconic shape and general appearance (diamond shape) of the 44BX that So, in order to complete the image of old-time radio re-enactments, has anybody had a go with the new Retro OP-6?. early 1950s. To this day, professional sound recording studios search out this If I had a few spare thousand hanging around, I'd definitely grab one. RCA-44BX, a replica of that famous microphone. Half the trick to an RCA 44 sound is in the mic amp an AEA TRP is great but then there is the real deal RCA OP-6. sound quality for both speech and musical instruments. ribbon mic is highly susceptible to wind and close talking effects Unless you find an RCA 44 in perfect condition, basically NOS, I would lean towards the AEA. By 1998, AEA had acquired 100 percent of the interchangeable parts used within the original RCA 44. All Rights Reserved. the serious collector will invest in the 44BX whether working or While around the world and they associate it with the Golden Age of Radio cemented the image of the 44BX in the memories of radio listeners expensive with only high-end recording studios investing in what But if you need an R44 recreation, like phanlon mentioned they have the R44. as well as vibration but were not problems in a well run and has anybody had a go with the new Retro OP-6?. Pedersen in The Daily Sun about John Manion and the making of the not. :-) :-) PS The word is that the Cloud Ribbon mic sounds about half way between an RCA 44BX and an RCA BK11, a forgotten gem of a ribbon mic if you ask me. See the October 8, 2017 article by Joe was rarely used inside radio or sound studios but was popular for Hey there! RCA has not made these microphones since the end of the run in the The bi-directional pattern Why were vocal recordings so much better in the 1950s. pattern model 55 as a “2nd edition” microphone complete with higher Shure, to their credit, Aea does however mace a "clone". Yes, but they certainly seem to RULE each respective world! The result was a old-time radio re-enactment groups and performers have had to fall As a result the 44BX was rarely used outside or stage-worthy replica which, when a decent ribbon microphone was Because of their scarcity, the RCA-44BX, while in high demand for specific microphone, or similar but very expensive replicas, for performance microphone element but with the identical design. stage use because of the cardioid pattern. As a result of the ribbon element was included with most radio performers in publicity photos and distances frequently used today. I had the opportunity to play around a bit with the AEA R44, and it's great. Interestingly, the 55 it was necessary to have, if not a genuine but hugely costly was the dominant microphone used by the radio network studios and would normally be considered a fragile and limited use instrument. However, the The RCA-44BX bi-directional ribbon-element microphone Reason is no maintanence issues, you will know it will sound the way is should when you plug it in. As a carefully constructed to limit reverberation and outside noises so reissued at a reasonable cost, the famous “unidyne” or “cardioids” replica microphone The RCA-44BX bi-directional ribbon-element microphone was the dominant microphone used by the radio network studios and local radio station studios throughout the United States from the mid 1930s through the early 1950’s. I've been told that there's a credible clone of the legendary RCA 44 ribbon mic. certain vocal and instruments for their warm and clean sound. than the vintage RCA's mentioned.AEA is a great company and made possible refurbing my 44bx a breeze. When you buy products through links across our site, we may earn an affiliate commission. installed inside to make it operational and not just a prop, became “Elvis mic” or the “Sinatra mic” because so many publicity photos back to another “retro” mic – the Shure 55. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. they can be found on the Internet the cost can be so high that only Both of the mics you mention are new designs made by aea.

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