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It is therefore illogical and irreconcilably contradictory to claim scientific rigor while stifling debate, experiment, error, and failure, which are all necessary components of the scientific method. Sandy, working as a seamstress, was involved in a rowdy garment-workers’ struggle. So where are love and laughter in the future? Along with the members of the Revolutionary Union, Sandy and I “went to the working class.” That meant I got a job, first on the docks – my father was a longshoreman – and later in the warehouses where I worked for 10 years. I think there are a lot of positive lessons to be gained from the period during which Prairie Fire made a positive contribution to revolution. We looked to London and were inspired by the Clash, but some who caught us also noted a lot of Who-style leaps and power chords, and some Springsteen-like storytelling; Sandy’s vocals sometimes soared alone or in duets like Grace Slick’s in the Jefferson Airplane. To raise such criticism would find it given a label like “idealist” or “petit bourgeois” and dismissed without meaningful discussion. Published: Bad Subjects, #56, Summer 2001. Prairie Fire played at several of these events, including one just across the street from the White House. I’ve seen this disjunction between theory and practice in various people on the left over the years, but I saw more of the blatant hypocrisy I despised in society at large manifested by its most vociferous and committed opponents, people who called themselves revolutionary communists. This is illogical and incompatible with a worldview claiming to be scientific. We Want Power To Determine The Destiny Of Our Black Community. If you were the enemy there could be no discussion. This takes many forms, but in the case of the Maoists it meant that there is only one idea and all others are either part of that idea or not. The Weather Underground, who wrote Prairie Fire, escalated their level of violence after those murders. By this time the Vietnam War was over and the schisms and splits that arose in the “Movement” had separated us from many while aligning us more tightly than ever with the Revolutionary Communist Party and the issues it considered paramount. We made a record of two songs composed for these struggles, our third record. African Liberation Day demonstrations were just picking up steam in the late 1970s, along with the struggle against South African apartheid. Let us know what’s wrong with this preview of. Yet it was at that time that the Party’s direction was becoming more and more desperate. Nevertheless, I did not stop doing what I was doing then. There is – and few would dispute it – a profound contradiction between creative expression and control. Sandy wrote a very moving song for them in Chinese, the only one she ever composed. That anxiety masked the reality that the great wave of revolutionary struggle that had risen worldwide around 1968 – Tet, Paris, Prague, Chicago, etc. They were simply not thought of or discussed at all. People were stomping and shouting, and it took us a few moments to realize that it was all for our performance. We were involved with numerous different political factions fighting each other over the correct line to take vis-á-vis Africa, liberation, and the role activists in the … Shortly after returning I was involved in a very militant and sometimes violent strike in the warehouses where I worked. The sad thing is, too few have stopped to reexamine the major lessons of the 20th century and earlier. We were involved in the fight over the International Hotel in San Francisco, a long struggle to prevent the eviction of elderly Asian tenants and the razing of their residence. If you were the masses you could disagree because you were limited in your awareness, innocently ignorant and naturally encumbered with false consciousness. We played on picket lines in Milwaukee and at rallies in El Paso. It is the two states in conflict that produce the sparks of inspiration and creation. When we went to play at a rally in downtown San Francisco, we got to the site and found only a couple people there. During the next couple of years we were even more active as organizers than as musicians, but we still continued to perform regularly and all over the country. The band Prairie Fire reflected this situation and consequently was no longer as good musically, lyrically, or in social effect as we had been. This was it, and it was an honor for Prairie Fire to have had our music play some kind of a part. At first we only had a few songs of a political character. By the late ’70s Prairie Fire had become a rock band. I wrote a song for the event, “What Have Women Done.” We went to the gathering with lyrics in hand and only one rehearsal under our belts, and performed the tune to a couple hundred like-minded folks. We dug up some old Wobblie numbers and a couple others from the book Hard Hitting Songs For Hard Hit People and started performing semi-regularly at various rallies, meetings, and parties. The practice of a group which organizes itself around the principle of the liberation of humanity, to be achieved via mass revolution, demonstrates the very definition of liberation and revolution in how the group actively pursues those goals. The first difference is around the issue of agreement and disagreement. Active combat against empire is the only foundation for socialist revolution in the oppressor nation.”, http://archive.org/details/PrairieFireThePoliticsOfRevolutionaryAnti-imperialismThePolitical, Heat Up the Holidays with These 27 Winter Romances. December 27–30 – Weathermen held a "War Council" in Flint, Michigan , where plans were finalized to change into an underground organization that would commit strategic acts of sabotage against the government. This means that no ideas of “career” or having to get a gig were ever involved. The guidelines were eventually made available to the public on May 15, 1967, when they were published in the second edition of The Black Panther, which was the party’s weekly newsletter. I was a musician when I met Sandy but it is important to note that by the time we began what was to become Prairie Fire we were full-time revolutionaries; music was a weapon and we were among those with skills to wield it. To see what your friends thought of this book, Prairie Fire: The Politics of Revolutionary Anti-imperialism. Punk was starting to happen and thrive in San Francisco. We finished and left the stage as quickly as we could, not even stopping to realize that there was bedlam in the audience. We have attempted to produce a readable pocket size book at a reasonable cost. 1974 We toured the country again, this time to colleges all over the U.S. that had large numbers of Iranian students. One of my first organized political discussions centered around the section on “people’s war.” Involvement with the RCP led to the high points in the Prairie Fire story: the Bicentennial, the African struggles, and finally the Iranian revolution. From inside flap: This edition of Prairie Fire is published and copyrighted by Communications Co. in response to a written request from the authors of the contents. This dynamic is precisely what gives rise to powerful art and culture and to the most uplifting moments of experience and insight. What had been possible earlier was not possible any longer, and all the yelling and screaming of punks, anarchists, or Maoists was not going to change that. With many political leaders dead, in prison, or sold out, a lot of folks became just plain disillusioned. There are no discussion topics on this book yet. Since we were pretty good musicians, we found ourselves in demand within a very short time. Prairie Fire was also involved with the Iranian students and the struggle to overthrow the Shah, an involvement that was exhilarating on many levels. If you were a Party member you could not disagree because disagreement meant challenging the superior grasp of truth by the leadership and implied disloyalty, a threat to unity and, potentially, enemy action. I do not use the term spiritual in the depoliticizing way New Age spiritualists do.

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