It is understood that traditional DSLR lenses are not the same thing as cine lenses. This may seem like a disadvantage, but in fact what it allows is for optics that are perfectly crafted for that one focal length, and therefore it is well understood that Prime lenses typically have superior performance because of that. And the price difference is significant which means you have to dish out something like three times the price of the f/1.8G for the extra 2/3 stops of light. The f/1.8G, on the other hand, has seven aperture blades. The 35mm f/1.4G gives 2/3 stop of extra light which is what you would come to appreciate especially if you are shooting in low light conditions. The extra advantage with the f/1.4G is that you also have the slight bokeh advantage. In simple terms, this means when you use a prime, you can’t zoom in or out—you’re stuck with one view. This is a really great lens for an opinion or beauty vlog, where you do not need to move around. • How often do I want to change lenses? But then its proportions are true to what an ultra-wide angle lens should be. The difference with this lens is its superior VR assembly, which means you will get the latest generation of image stabilization, which in turn means steady video even when handholding your camera at 200mm. Speaking of selective focusing and out of focus effects, the lens has a 9-blade aperture diaphragm. For that, you need the heavier and pricier stabilized version of this lens. Auto-focusing on the lens is powered by Nikon’s revered silent wave motor technology. The front element is probably the biggest that you have seen. As it is, it is a great choice for budget-conscious videographers who want the right focal length for shooting great interviews, etc. Read more about us or contact us. You can add even more unique looks to your scenes with fisheye, macro and perspective control lenses. This is ideal for shooting architecture, real estate interiors, as well as landscape. Nikon’s Silent Wave Motor technology powered autofocusing is silent but not dead quiet. This functionality comes in handy when shooting videos. To get a little mathematical, if you were building a 5 lens kit from the 81 choices currently provided in the NIKKOR line-up, you would have 25,621,596 different combinations—that can be overwhelming. It is for you to decide whether you want to do that. Most of all, it enables you to have an f/1.8 aperture for those scenes where extra light is needed and when your zoom lens aperture just doesn’t cut it. • AF-S NIKKOR 85mm f/1.4G—a very highly requested lens from filmmakers, the NIKKOR 85mm f/1.4G’s popularity stems from its longer than normal focal length, which allows for very flattering interviews and character shots, as well as for incredible control over depth of field with its f/1.4 aperture. Related Post: Best Lenses for the Nikon D5600 (Top 7 Models). It also includes Nano crystal coating that suppresses flares and ghosting. NOTE: This is an FX format F mount lens. Albeit within the limitations that come from being DSLR lenses. The focal range of 14-24mm means you get a very wide angle of coverage while maintaining incredible sharpness across the frame. Because it is an f/1.8 maximum aperture, it is smaller, lighter and less costly than the 24mm f/1.4. The AF-S 35mm f/1.8G ED comes with a fast wide aperture of f/1.8. • AF-S NIKKOR 50mm f/1.8G—once again, the NIKKOR 50mm is a standard in most photographer’s kit bags—the same applies to filmmakers. These 3 zoom lenses are the most coveted zoom lenses in Nikon’s lineup, largely because of their f/2.8 aperture; however, these professional lenses do come at a higher price, and for those working with a smaller budget, or who simply don’t plan to shoot in low-light situations and don’t need the shallow depth of field (bokeh) of a 2.8 lens, here are the f/4 lenses that would be perfect alternatives: • AF-S NIKKOR 16-35mm f/4G ED VR—the 16-35mm covers a really great focal length range from super wide to wide; paired up with the other lenses on this f/4 list, this lens will really add to your production level by giving you great flexibility to get the wider shots for a variation of scenes. Rajib is an avid travel photographer and an overall shutterbug. The lens comes with a rear focusing system. Whether it is for shooting videos or for stills, this is a great lens for subject separation, shallow depth of field and those sort of things which you would love to do with your cinematic work. That decision is one only you can make, based on your specific artistic vision and needs. Be sure to read on to understand the main impact that f/1.4 and f/1.8 have on your video. The filter size is 77mm compared to just 67mm on the f/1.8G. The construction of the lens includes one extra-low dispersion element, one aspherical element, and super integrated lens coating. It is like comparing apples to oranges. The lens also comes with manual focusing override. The f/1.4 aperture lets in twice as much light as the f/1.8 lens, so for really low light scenes it may be best to select the f/1.4; however, in most shooting situations, because DSLR cameras are so fine tuned for low light shooting, the f/1.8 will do a great job for a fraction of the cost. In this mega-article, let’s go over the most useful lens options for the Nikon Z6, specifically for video … Additionally, a majority of the DSLR lenses tend to suffer from the problem of focus breathing. A cine lens ideally also produce good still images. The f/1.4 gives extraordinary control over depth of field and light and makes this (as well as all primes listed below with an f/1.4 aperture) a perfect choice for low light scenes. Another thing proper cine lenses have is a higher number of aperture blades. This lens continues the 16-35mm range with a good overlap, meaning that if you find yourself not needing to shoot super wide shots, you will love this lens as a general walk-around lens. Every Nikkor lens optimized for video … Out of focus would not necessarily be one of the best points of this lens. He has been writing about cameras and lenses for over 10 years now. Advanced users may wish to skip ahead, but for those who are getting started and/or want a refresher, read on as we cover these two types of lenses: • Primes: lenses that are called “prime” are lenses with fixed focal lengths. The lens … This content is provided ‘as is’ and is subject to change or removal at any time. Selective focusing ensures that you can isolate the subject from the background as well as play around with focusing, switching from one plane of focus to another (two subjects at different distances from the camera). You’ve likely noticed the pattern in these prime lens selections—they are all f/1.4 lenses.