I know the concept of chord progression is not applicable in the period of the Baroque. Press question mark to learn the rest of the keyboard shortcuts, composer, arranging, Jewish ethnomusicologist, http://faculty-web.at.northwestern.edu/music/gjerdingen/partimenti/aboutParti/ruleOfTheOctave.htm. Our second chord progression may be considered the foundation of classic rock ‘n’ roll, modern rock, and pop music. Press J to jump to the feed. I am currently just writing a Baroque piece for the fun of it and have written one before. Of course the concept of chord progression applies to the Baroque Era. New comments cannot be posted and votes cannot be cast, More posts from the musictheory community. Yes, academically, but I question this CP concept: All times are GMT +1. You may wish to start your analysis here. what are the main chord progressions for the Baroque period? I'm a bit baffled by this. Is there a music-theorical explanation? The baroque period uses a lot of sequential patterns and harmonizing tonal spaces based on the "rule of the octave." Playing these three chords in different variations will also give you some other common progressions. In addition to that, how does Bach's music generate such an emotional response? share. However, I cannot help but hear certain progressions as I listen to Bach orchestral suites or concertos, or Vivaldi for that matter. They seems to rise or fall on the diatonic scale by a step, repeating the same motif. You are currently viewing our boards as a guest which gives you limited access to view most discussions and access our other features. Later on such dissonant tones came to be interpreted as chord tones. The term chord progression simply refers to the order in which chords are played in a song/piece of music. And yes, what you are observing, the sequential repetition of motives on different scale steps, is a mainstay of the style. Does that make sense? It would have been much clearer to say "The concept of chord progression applies to the Baroque, except in certain cases.". It is extremely common in songs from the 1960s to 1970s and traces its roots all the way back to the blues. A subreddit for people who care about composition, cognition, harmony, scales, counterpoint, melody, logic, math, structure, notation, and also the overall history and appreciation of music. It makes perfect sense to analyze chord progressions in Baroque music! It's just that certain dissonant tones, as in MRs example of a major 7th, weren't considered harmonic tones at the time. Does anyone actually think that composers before the Classical period did not hear and conceive music in terms of harmonic progression? I am currently just writing a Baroque piece for the fun of it and have written one before. You can learn about the rule of the octave here: http://faculty-web.at.northwestern.edu/music/gjerdingen/partimenti/aboutParti/ruleOfTheOctave.htm. Play a few different songs/pieces and you will see that there are various different ways in which composers order chords. 3 comments. what are the main chord progressions for the Baroque period? However, the good news is that there are a few simple guidelines which will help you massively when writing your own chord progressions. EdwardBast is correct in every point he makes. If it was applicable, we'd have Bach using what could be called major seventh chords. You may wish to start your analysis here. It can't be me just me. To say that the concept of chord progression applies to the Baroque is rather misleading. Baroque "chord progressions" Welcome to Talk Classical - A community covering every aspect of classical music! They were understood as linear phenomena. This thread is archived. Why has this been downvoted? Any questions, just reply. Just find some Baroque pieces you like and think are representative and analyze them. The current date and time is, F. Magle - Contemporary Classical Composer, Organist and Pianist. Of course, there's more to it (writing idiomatic figuration, for instance, is an art unto itself, and the rhythmic ferocity is one of the main things that make the baroque the baroque, imo), but this will get you started! That's correct. So really, the whole concept of chord progression in Baroque as well as CP tonality is riddled with exceptions like this, which are exceptions to a, It sounds like you're trying to "stuff a horse into a suitcase.". No, except in certain cases of non-harmonic tones such as a major seventh chord, which was not considered to be a chord. Besides, the dissonant tones which weren't considered harmonic tones at the time would apply past the Baroque era, into CP classical. save hide report. New comments cannot be posted and votes cannot be cast. For example, Bach seems to like repeating downward scales on successively incrementing steps; building tension upward with the key, while descending melodically. I know the concept of chord progression is not applicable in the period of the Baroque. It's I V vi (minor) IV, but those are chord progressions that are very common to use in the context of making Western music -- (classical, pop, folk) etc. 80% Upvoted. You said "chord progression," not "CP chord progression.". Baroque Chord Progressions. Baroque composers really like to work their way gradually (often down) the octave by step, and the rule of the octave is a way to take a stepwise bass and let it generate harmonies for you. No, it's not correct. Seriously? If you have the rule of the octave, sequential patterns, and basic generic cadential "stamps," you have most of what you need to make idiomatic Baroque music.
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