aea r84a review

The added phantom power inside the R84A really did the trick. It also usefully points out that brass instruments and voices tend to deliver more energy in the positive (compression) half of the wave, and that if you are using the rear side of the mic it is advisable to switch the phase of the mic's output at the console to preserve absolute polarity. This mic always sounded smooth and mellow, but still managed to convey detail and precision in a very natural and appealing way. If in doubt, use a pop screen! Thank you for your request. The sound was never harsh or unpleasant, regardless of the source — the R84 seems to flatter everything in a very musical way. Any air blasts are dangerous, including the thump when plugging a guitar into an amp if the mic is near the speaker. The company's catalogue makes fascinating reading, as it contains, amongst other things, intriguing accessories for stereo and surround recording, elaborate studio booms and stands, Decca trees, M&S decoders, and phase monitors. The views expressed are those of the contributors and not necessarily those of the publishers. I discovered that my UA 4-710d preamp didn't have the gain to power, so I exchanged the R84 for the R84A. Its nominal sensitivity is -54dBu or 2mV/Pa. What do you mean by 'subsonic components'? I purchased this microphone after first trying the R84. Mastering Essentials Part 4 - Mastering EQ: Balance, Don’t Match. The mic is supplied in a padded nylon bag complete with a webbing pocket to stow the XLR plug at the end of the integral three-metre star-quad mic cable. Re: Can I get a level meter plugin that goes below -60d... Why does Liam Gallagher's vocals sound shit? As a result, this is a seriously large (and heavy) microphone. I was supplied with a pair of R84s for the review. However, if the mic cable is damaged (shorting pin two or three to ground), or if the phantom supply is seriously unbalanced, then the resulting current flowing through the diaphragm will be sufficient to make it jump forward or back with enough force to snap it in half. I use the R84A to record strings, woodwind and brass and I am very happy with how well rounded and harmonically rich it is. R84 series ribbon microphones deliver the classic tonality of the legendary R44, with extended top-end and reduced proximity effect for mid-range and close-range recording. The advantages are said to include greater headroom (over 165dB SPL above 1kHz for one percent THD) and a smoother response at the frequency extremes. The end mounting arrangement of the ribbon gives a very low-Q resonant frequency around 50Hz, whereas the circular clamping and tensioning of a condenser mic's diaphragm tends to give high-Q resonances around 10kHz, which can lend a rather 'tizzy' quality to the sound — something which is entirely absent from the R84 and which becomes glaringly obvious in comparison! Especially with strings, it really take the edge off the scrappy harshness that gets picked up with condensers and dynamics. A large-geometry ribbon mic optimised specifically for close-miking applications, which is able to compete effectively on quality terms with capacitor mics in the same price bracket. The benefits of adding active electronics to a ribbon microphone, according to AEA, are: Ribbon mics generally have a very low output, which places huge demands on the preamplifier, but technological advances now mean that there are a large number of preamps available which can provide sufficient gain without detracting from the inherently low noise floor of a ribbon microphone. Speaking of etching, you can apparently (at extra cost) have a logo or name of your choice engraved on the metal band at the top of the mic, should you wish. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Many thanks to Nick Huskins for helping me swap this out and get exactly what I needed! You may login with either your assigned username or your e-mail address. The HF response also decreases as the sound moves off axis in the vertical plane. However, a side-effect of the diaphragm geometry is that, whereas most microphones show a falling high-frequency response as the source moves off axis in the horizontal plane, the R84's HF response actually increases. Exclusive deals, delivered straight to your inbox. The bass response is naturally enhanced by the proximity effect when close-miking, but because this is the intended role for the R84, the amount of boost is moderate and practical. Should you be in any doubt as to the polarity of each face of the R84, markings on the top of the casing will set you straight. Get Directions | Why Are Some A-B Stereo Arrays Angled Outwards? Mounted with relatively low tension, and being just two microns thick, the light pleated aluminium diaphragm boasts a quick transient response. AEA suggest that the sound quality is related to the diaphragm resonance. The air pressure from blowing into a ribbon mic can cause the pleats to open and stretch, altering the tension across the diaphragm and thus the sound quality. With such a microphone … The phantom power issue concerns defective cables. First Look: Pro Tools | Carbon. 30-day modular deep dive/writing challenge. Many ribbon mic manufacturers choose shorter ribbons that are easier to install, but AEA's Large Ribbon Geometry TM design offers important advantages. Questions about the AEA R84A Active Ribbon Microphone. The technique is not too dissimilar to positioning a large-diaphragm condenser mic, although the effects are rather different. They are available to offer you personalized product advice any time you need it. Q. This R84 is one of my prized microphones. The front of the mic is marked by the AEA label, and the cable exits from the rear side, but just to make it even more obvious, a polar pattern is etched into the top of the mic showing the positive and negative pickup lobes. Most of us choose to use condenser mics for the majority of our studio work, an approach which has been greatly encouraged by the very affordable offerings now available from China. All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. In fact, AEA have been working with high-performance ribbon microphones for over 20 years, and the subject of this review is another 'large ribbon geometry' microphone, called the R84 — but this time the mic has been designed from the ground up for the modern studio, rather than being a recreation of a vintage model.

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