Create a username and password below and an account will be created and your post entered. I have used it mainly on drums so far, as a mono overhead, mono kit mic, room mic, and it has slayed in all applications. And then I see a video like this and it makes me want to reconsider 4038s: The VL37s appear very promising and probably the most true-to-the-source but I've yet to hear a sample online that makes me think I'll like their color more than the N8s. I'm undecided between the AEA N8, Samar VL37 (or VL37A Active) and Coles...what do you recommend as versatility and quality based on your experience? Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. or one of When you buy products through links across our site, we may earn an affiliate commission. The N8 and R88 share the same minimalist design philosophy and honest sound. It compresses peaks, that's nice. I’ve tried the R88 with TRP on classical guitar and the hiss is way too high (even when 15” away for some folky stuff). A few years later, Wes and AEA wunderkind Sammy Rothman stopped by, fairly unannounced, and dropped off a pair each of their Nuvo series ribbons — the N8 and the N22. Proudly independent, we build all our products by hand in Pasadena, CA, U.S.A. They are both active ribbon mics. ! AEA welcomes the N8 to the growing family of Nuvo ribbon mics. Hey there! You need an account to post a reply. Has anyone compared the AEA N8 microphone to a AEA 840? The N8 also shares the N22’s ribbon dimensions, transformer, and active transformerless electronics. AEA Nuvo N22 vs Shure KSM313 for Male Voice? That day, I acquired my third AEA mic, the R88 Mk2 stereo ribbon, and a relationship was born. There is a cleanliness to the top end especially that fits the kind of music very well. The very natural sound character of the N8, combined with its high overload margin, makes a pair of them a good choice for minimalist drum miking, either as traditional overheads, or as front and side ‘under-head’ mics. And, the people over at AEA are quick to answer questions, and are just all around good people. One thing I noticed about the VL37 is that I have to be careful about EM interference like Runnytofu mentioned about the N8. A pair of these is now at the top of the list. Create a username and password below and an account will be created and your post entered. Hi gang I’m wondering if anyone can speak to their experiences with these mics. Already have an account? Much closer to an R88. Recently got the N8. A few years later, Wes and AEA wunderkind Sammy Rothman stopped by, fairly unannounced, and dropped off a pair each of their Nuvo series ribbons — the N8 and the N22. AEA N8 Bidirectional Active Ribbon Microphone. The N8 is the mono version of the AEA R88 stereo microphone with active electronics. Vocals / guitar amps (not crazy loud) / acoustic guitar. For classical guitar I'd use the N8 before the A840 or 4038 due to its more open high end. I want to like them though. https://umbrella-company.jp/contents...vl37a-moumoon/, https://umbrella-company.jp/contents...37a-review-ym/, https://umbrella-company.jp/contents...l37-sr-review/, https://umbrella-company.jp/contents/vl37-review-03/, https://umbrella-company.jp/contents...37-review01-2/, https://umbrella-company.jp/samaraudiodesign-vl37a.html. The N8 is the second active ribbon mic in AEA’s “Nuvo” series, following the N22. [drums, AEA N8 overheads in Blumlein] And here’s the pair of N8s with the close drum mics. Yeah you're going to have to just try them. Click here to login, The ability to reply to and create new discussions, Access to members-only giveaways & competitions, Interact with VIP industry experts in our guest Q&As, Access to members-only sub forum discussions, Get INSTANT ACCESS to the world's best private pro audio, Promote your eBay auctions and Reverb.com listings for free. In an industry where the technology changes almost daily, the Nuvo line from AEA celebrates the ribbon microphone's tradition of the clear, natural sound you get when you use a ribbon transducer, but without the worries of fragility and distortion their ancestors exhibited. Quite different sonically from A840 if my memory serves me right. To my ears, the new N8 sounds a little brighter and not quite as thick in the mid-range as AEA’s R84, both of which are advantages as far as I’m concerned. I've used both and the N8 wins for classical every time. I felt like I joined a family when I got this mic! You just have to be in an environment where you can have the mics at least 4' away, 6 is better. The N8 is so new, you'll probably find it hard to find a direct comparison for a while. The N8 sounds more modern and detailed, where the Cloud had a thicker and more vintage character. The N8 uses the same custom transformer utilized in the AEA A440 and R84A microphones, enabling additional output over passive microphones and a stable impedance. A Mono Version of the AEA R88. I’m looking for a general use ribbon mic. I felt like I joined a family when I got this mic!! AEA have designed a pretty cool shock mount which attaches to the N8 to help keep down any unwanted noise in the off chance of movement. I tried out a Samar VL37 and sent it back due to noise floor. That day, I acquired my third AEA mic, the R88 Mk2 stereo ribbon, and a relationship was born. [drum room, AEA N8 mics] In this example, we have the N8 in front of an acoustic guitar. The N8 shares the N22’s body and grille construction, although it has a black rather than silver finish. What preamp and gain settings, if I may ask? Which would you get a pair of for classical guitar? It has been designed for what AEA refer to as ‘far-field’ applications, as opposed to up close and personal miking. Sound. Did you try the V37A? My little bit on ShinyBox - I wanted the darkest he had. Ideally in relation to each other. Thanks, you have also tried the Samar VL37 to have a comparison with the AEA N8? It's not neutral - I wouldn't track a whole record with it. Have to say that it is a pretty special mic. I'd contact AEA directly and ask them, which will at least be a starting point. Click here to login, The ability to reply to and create new discussions, Access to members-only giveaways & competitions, Interact with VIP industry experts in our guest Q&As, Access to members-only sub forum discussions, Get INSTANT ACCESS to the world's best private pro audio, Promote your eBay auctions and Reverb.com listings for free. Have to say that it is a pretty special mic. This is a very nice and well-priced microphone and I think Wes and AEA really have realised a … AEA welcomes the N8 to the growing family of Nuvo ribbon mics. I have used it mainly on drums so far, as a mono overhead, mono kit mic, room mic, and it has slayed in all applications. AEA describes this mic as being very open, natural sounding and with a lot of detail. You need an account to post a reply. No way I’d use it on vocals, too funky on the high mids. Hey there! Too bad as both sounded GREAT!! In fact, the noise in the clip I posted above turned out to be EM related, and so perhaps the Coles have better shielding. Then bought AEA NU5A and had the same noise, so returned it too. I love AEA mics, but for classical guitar, to me it's the Coles 4038 all the way. Just use Google to translate the comments. I've never used the n8, I have the two n22's and a a840 (bad spelling above), aea also has the R88 mk2 which is a stereo version of the n8. And, the people over at AEA are quick to answer questions, and are just all around good people. - Rode NTR - AEA KU5A - m130 (for referen Alongside the mono AEA N8, it boasts the widest frequency range of any mic in the AEA lineup and effortlessly manages more complex source audio like drums, strings, piano, and other instruments that produce intricate transients, harsher highs, and bellowing lows. Has anyone compared the AEA N8 microphone to a AEA 840? When you buy products through links across our site, we may earn an affiliate commission. Though it sounds great with any AEA ribbon-optimized preamp, it is not dependent on a high-impedance, high-gain preamp for proper use. They'll probably win shootouts because of their detail and open top end but a big part of why I am interested in getting ribbons in the first place is for sources that need extra bass heft or a smoothed out top.
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